Begoña Gómez
Mezzo-soprano
"Laura, brilliantly, gracefully, and intelligently portrayed by mezzo-sopranoBegoña Gómez"
Ópera Actual
“Begoña Gómezgave a convincing performance as Laura, singing with precision and solid support in the middle register, effectively contributing to the development of the subplot.”
Ópera World
“Begoña Gómez, in the role of the Romani woman Laura, delivered an outstanding performance thanks to her rich, full-bodied voice and meticulous phrasing.” Scherzo
“Begoña Gómezportrayed a passionate Maddalena with an almost contemporary flair, delivering a crystal-clear performance.” Opera Actual
“Continuing with the female voices, Begoña Gómez as Stephano was truly, truly remarkable. In her challenging scene, where she had to give it her all, she was simply splendid—no ifs, ands, or buts. The Mallorcan singer is another rising star who can sing Wagner’s lieder just as well (as she did a few months ago) as she can tackle that short but challenging role that Gounod wrote for a mezzo-soprano.”
“[…] it is worth noting that mezzo-sopranoBegoña Gómez and[…] displayed warmth and vocal expressiveness”
https://www.operaactual.com/critica/stabat-mater-palma/
“Of all of them, I would be remiss not to mention […] *Flora* by Begoña Gómez, a play with captivating stage presence.”
https://tempsarts.cat/musica/opera-musica/un-classic-verdia-per-rebre-lestiu-a-palma/
"[...] but the most superb, flawless performance was that of Begoña Gómez, who was natural and spontaneous as Flora Bervoix."
https://www.arabalears.cat/cultura/traviata-amore-e-morte-j-a-mendiola_1_4733970.html